Monday, December 17, 2007

The 2007 PK Awards -- Sparkles


Lamentably, due to personal issues

(I went to prison)

I failed to comprise a "best of" list last December. My bad. The next time I cop dust in Itaewon, I promise not to jump from a third floor window and bite a police officer's shoulder. At least I'll try.

That out of the way, I present to you, Constant Retard, a far-from comprehensive list of everything great about this past year, least how's I sawed it.

If there is any justice on this godforsaken interstellar commercial towing-vehicle we call Earth, Beowulf will be nominated for Best Picture at the Academy Awards in March. What do you know, Ivan Reitman made a boring-ass epic poem, which people only read because they are forced to, interesting. Scratch that, profound. Best. Adapted. Screenplay. Ever...

People -- usually stupid people, occasionally academics with agendas -- tend to unfairly criticize white men who are fond of Asian women. But I ask you, who is more foolish: the man who devotes his time to pointing out stereotypes of such relationships, or the man who disregards biased analyses and perpetuated stereotypes and instead follows his libido vis a vis what he believes is the apex of feminine beauty? In this writer's opinion, Asian women are simply prettier than their western counterparts, and this view has nothing to do with culture. That said, Katherine Heigl is crowned, by me, as the sexiest woman alive, until tomorrow...

Ever since I stopped drinking water in favor of Gatorade and started using nuchaku in favor of birth control, The Nintendo DS has made me smile like a man possessed. A man possessed by smiles, like David Guest. Unintentional poetry aside, the Nintendo DS Lite is Viagra for former late-twenties gamers. Best. Invention. Of. The. 21st. Century. Ever.

That said, fuck Contra 4. Man, fuck it 'til it bleeds. The inimitable and illustrious K-Mart posted that it is a game harder than having sex with nuns (maybe I'm paraphrasing; maybe you just wanna slam a nigger's head through a plate-glass window). The man wasn't wrong. In the King of Kong documentary, Donkey Kong is described as "almost impossibly hard." As per Contra 4, omit the "almost" part. That game gives me nightmares. Shit, I played it today on Easy level and couldn't make it past the second boss, although, in all honesty, I was high on dust...

Psychedelic Kimchi is meta. You know this. Therefore, post of the year goes to TMH for A Materials Darkly. It's not as amazing as Aggressive Mistakes, which I will forever be thankful to the author for kindly passing me, but it's close. TMH walks softly and carries a big stick; and when you see his posts on this hallowed site, you, Constant Retard, are in for a treat indeed. No Idealjetsam...

Psychedelic Kimchi is also, among other things, a revelation. At least it was to me when I belatedly discovered that one half of PK's resident rhyme is finna be a father soon. Congratulations, KMart! May your first child be a masculine child! And may he type fast. Prediction: God's Son posts a missive on Dora the Explorer before Idealjetsam reawakens from his ancient slumber. Word to Mumra...

Word to missed opportunities, the best unseen post of this and any other year is the follow-up Nancy Lang interview. You will have to trust me on that point...

Best vacation goes to the time we went to Gangneung and I bought you a bikini we both knew you'd never wear in public. I'm not mad. Word to the Secret Weapon...

Let's run through the rest of the list like Adrian Peterson snorting the Konami Code: Modest Mouse's We Were Dead Before the Ship Even Sank is the year's best album, "Tarantula" by Smashing Pumpkins the best single; KMart the world's sexiest replicant, myself the ugliest clone; cigarettes my biggest vice, women a close second; ballerina of the year? Easy, Tiballerina aka Spandau, aka the 18th Letter in the alphabet; best sampler? Easy, the SP-1200; biggest regret: no Super Mario Galaxy, not calling "Spitting Venom" the year's best song*, being an insufferable asshole.

Wear your seatbelt, Pineapple.



* Cues: 1:27, 2:19, 4:16, 4:59...fuck it, the song deserves its own post. Until then, the Mumra Award goes to Johnny Marr. Now I can die peacefully.

Sunday, December 16, 2007

The PK 27 -- Track 9


Six years ago, when the idea of the PK 27 entered its preliminary phase, we had several great ideas for our musical selections. Since that time, we've come up with a few good choices, but we still haven't finished. We could chalk it up to a plethora of things: creative differences, displaced fervor, leprosy, demanding career choices, sex, idealjetsam, etc. Whatever the rationale, we're still a few songs short of the nebulous twenty-seven track delineation.*

I shall condemn our inability, but not our intention; which remains as pure as babies' flesh (and twice as delicious, I may add). I will also, dare I venture into unwelcome crevices, suggest that we suffer a dearth of female vocalists, and/or musical talent in our bombastic collection. Please don't misunderstand me, or my brethren; that we neglected our effeminate readership for such an extended period of time was unintentional, and has no bearing upon our adoration of those of the female persuasion.**

Before I throw down a track, I'd like to mention just how much I wanted to suggest a song by Stevie Nicks. That lady shits lyrical gold when she's in the mood, and the instrumentation follows suite, but alas, she doesn't have the PK vibe. Wild Heart and Bella Donna are stellar albums, surely, but that shall not influence my selection.

To rectify the errors of omission, the ninth track is thus:

Dumb, by Garbage.

I'm fully aware of the fact that Garbage is scarcely the world's greatest band, just as this is less than their greatest song and, furthermore, that Shirley Manson isn't nearly the sexual icon that a generation of angst-ridden, unbathed, patricidal youths deemed her to be.*** Having said that, I still think that it works especially well, given the venue. We're not the brightest bunch, even with such belying monikers as Sparkles.**** Conversely, you (dear reader) aren't the Harvard Ph.D material that you'd like to think you are. Once we all fathom the circumstance, we're sufficiently prepared to enter into a reciprocal appreciation of lyrics like:

Maybe I could write a letter
To help me with my self-esteem
You should get to know me better
No one's ever what they seem


and

Now that you know what you know
I bet you wish you could let it go
You'll never come sucking your thumb
Better off dumb


If there were a place for female-fronted groups on the PK 27, it would be here, just prior to Jay-Z's Girls, Girls, Girls. Crucify Denz, not me.

_____________________________________________

King Astarte


* A nebulous delineation of twenty-seven tracks? Once you apprehend that notion, grasshopper, you're ready to become a contributor.

** Unless we're talking about females involved in the comedy scene.

*** Version 2.0 is, nonetheless, a fantastic album.

**** I still love you, my sexy liquor locust.

Saturday, December 15, 2007

Radiohead, In Rainbows Redux (Review)


Hey (Staci!), it looks as though I'm going to have two In Rainbows reviews before Idealjetsam puts up his first (if he ever does). Neat.

If you look back at my original review of the album in early October, you might think that I despised it. That is truly not the case, however I found it to be quite disappointing, as far as Radiohead albums are concerned. Still, any Radiohead album is better that no Radiohead album, right? I suppose so, but the axiom doesn't make me appreciate In Rainbows as anything more than a pleasant diversion while I await a genuinely great album to come along. If I had given In Rainbows a rating out of five *_*s, it would have been three and a half -- and that's still my opinion today. The album lacks even a single outstanding track (though "Bodysnatchers," "All I Need," and "Videotape" come very close), and that just ain't right on a release containing a paltry ten songs. Worst of all, after a few weeks I stopped listening to the album altogether.

So there you go; my opinion hasn't changed since my original review, although I still feel bad for appearing to dislike the album much more than I how I honestly feel about it. It is a very good album (hell, I probably stated that in my original review). It's just not great; and, as far as Radiohead goes, seeing as how their last effort shares a like sentiment, that should be a fucking crime.

Today, I am acquitting Radiohead of any and all wrongdoings.

This past week I got a chance to listen to In Rainbows as it is meant to be listened to -- whether the band's members agree with me or not. (And I'd like to think some of them would.) You see, the discbox release of the album contains a second CD comprised of eight tracks. Why these tracks weren't included on the original release befuddles me, because on their own they are terrific songs, and when integrated into the original ten-song release they help make a very good album a superlative one, right up there with The Bends, OK Computer, and Kid A. That declaration may be a tad hyperbolic, but fuck it, I'm riding a high right now. After suffering through the "good-great, not great-great" punishment of Hail to the Thief and The Eraser, it is so refreshing to be reacquainted with the warmth of what a Radiohead album should be.

I need to reiterate something. I am not saying that the second CD contained in the discbox makes In Rainbows as it was originally released any better; and, on its own, the second CD is merely a random collection of eight great songs, as a whole nothing more than a B-album, if I may coin the term (though I suspect at least one music critic came up with it years before in reference to Amnesiac's release). No, the second disc's songs must be properly integrated into the original ten.

How, you ask? Don't thank me; thank iTunes.

Upon opening the songs -- in any random order -- in iTunes, the 18-track listing looks thusly:

1) Mk1
2) 15 Step
3) Bodysnatchers
4) Down is the New Up
5) Go Slowly
6) Nude
7) Mk2
8) Weird Fishes/Arpeggi
9) All I Need
10) Last Flowers to the Hospital
11) Faust Arp
12) Up on the Ladder
13) Bangers and Mash
14) Reckoner
15) House of Cards
16) 4 Minute Warning*
17) Jigsaw Falling Into Place
18) Videotape

Try it yourself. I'm not one-hundred percent sure it'll work for you, but that's the order in which they appeared for me, and, aesthetically, it fits perfectly, particularly "Mk1," which serves as a nice intro and foreshadows the piano from the album's closer, "Videotape".

Look, when I'm not writing blog posts or making love to a woman I'm a firm believer that less is more; but not only does the inclusion of those eight songs make In Rainbows a superb record, it actually makes some of the album's lesser tracks much more enjoyable. Ask the band members themselves and they'll tell you that their albums are meant to be listened to as a whole. I agree completely, which is why I'm perplexed that they didn't realize that songs such as "Faust Arp," and especially "Weird Fishes/Arpeggi," don't work on the original release because they need to be heard in their proper context. I suppose majority rule deemed the second disc's songs unfit for the album's cohesion, but I also suspect a vocal minority objected, thus leading to the eventual release of CD 2. Were In Rainbows a conventional release, most of those songs likely would have been relegated as b-sides, which would have been a great oversight, because they really do make the band's seventh studio album a remarkable experience. And I have to believe someone was on dust when the decision to omit the -- wait for it -- sublime "Up on the Ladder" from the Internet release was made.

As mentioned, I didn't assign a rating in my original review. Giving a Radiohead album a three and a half out of five sickens and scares me a little. Fuck that, a lot. Thankfully, with the amalgamation of In Rainbows discs one and two -- the real In Rainbows, as far as I'm concerned -- I'm allowing the boys a mulligan for the Internet release. I am furthermore pleased to type the following:

5 *_*

(Still not the best album of the year, but fuck it, I'm riding a high right now.)


* Radiohead hate proper punctuation, apparently (and grammar; word to Weird Fishes). There should be a hyphen in there. I don't know why that bugs me so much.

Thursday, December 13, 2007

Hey



Hey Staci! Did you know that Christmas is just around the corner? I'm sure you are well aware of the concept, but then again, I have little idea of just what goes through your mind. To be honest, I'm comfortable with that actuality; you are you, after all, and I am me, and I'm often uncertain what goes on inside my own head, let alone yours.

Hey Staci! Did you know that when I think about you, rarely though it may be, the Battle of Hoth springs to life. That may sound weird (creepy, even) but it's not so bad, as a film from 1980 is about as distant as I am from you, except to say that an AT-AT does more for me than you do.

Hey Staci! Did you know that I once had a crush on you? You knew that, most certainly, just as I was vaguely aware that you fancied me, albeit rather minutely (c'mon, admit it). I was a tad shy regarding the issue, but there's more to it, insomuch that, truthfully, what could there possibly have been between the two of us? You thought I was intriguing because you hadn't really known me, and I thought you were fascinating because of the raging, reverberating dissonance that barricades me from the female gender in its entirety. It's a congenital thing, so we shouldn't feel guilty about it.

Hey Staci! Did you figure out that the above admission doesn't particularly trouble me? To rephrase, just for you: that it took a while for you to ascertain that I'm usually full of shit isn't your fault, nor is it mine. No one is to blame, although we may decry our inability to grasp the obvious at leisure. We're stupid like that.

Hey Staci! When reality finally stepped in to sweep the cobwebs away from your consciousness, did you begin to loathe me? For the record, I've never quite understood my apathy toward you, but I can appreciate the fact that you superficially despise me. Sometimes, I envision the kennel scene from John Carpenter's rendition of the Thing when I try to understand such antipathy, and I still don't hate you.

Hey Staci! Would you care if I mentioned that I have finished Dragon Quest VIII? Probably not, but I'll mention it anyway, and furthermore (to continue with game references), I was tempted to entitle this post Stardust Speedway. Not that it aptly describes the mood; I just like the fucking name.

Hey Staci! Just for kicks, I'd like to proclaim that I'm not the same man I used to be, but that's a lie on so many levels, so I won't. I'm the same old same, and I don't think that we could have a productive conversation for greater than, say, five minutes, without a massive headache setting in.

Hey Staci! Take a look at the picture shown above, will you? I can't, for the life of me, decide which individual I most identify with, so would you be so kind as to inform me?

Hey Staci! Fuck that, your answer is incorrect. Get used to it.

________________________________________

Rudolph the Red Nosed Woman that Shields Her Face

Wednesday, December 12, 2007

Agent Negro


I like Gilbert Arenas because, like me, he is a legend in his own mind. Ask either of us and we'll tell you that we are the greatest, despite contrary evidence. For my part, it's mostly hip-hop's fault. For his and countless other NBA ballers, it's -- mostly -- MJ's*.

Blameless fault, mind you, for it doesn't take a Ph.D. in anthropology to ken that human beings emulate what we individually perceive as great. It's the reason why I smoke cigarettes (Bogey), masturbate too much (women), and can't stop playing Pac Man (Billy Mitchell**). My biggest fault is that I spread myself too thin and thus become marginally adept at most of my interests save writing, where I sometimes excel by applying the kitchen-sink theory, or the wet-noodle method. (Word to Jackson Pollack.) Truth be told, though, I am a hack. And lazy. I can't remember the last time I challenged myself, professionally or creatively; and on the occasions which I have, I've mailed it in so egregiously that I feel a deep, pulsating shame.

I am about to do that right now.

Arenas's biggest fault, least how's I see it, is similar. He has all the skills, but somewhere along the way he became too much a part of his own personality cult that it has hampered his output (that, and the NBA Live curse, which, this season, was eerily preemptive). The larger question is: does he care? Judging from his lackadaisical approach to the game on court and off, the answer appears to be negatory. Sure, he likes winning. Who doesn't? But perhaps it's for the glory, not the riches. Glory being individual accolades, riches team success.


_____________


I like Gilbert Arenas, because like me...

While I hate to say it, Gil's nonchalant smart/not smart slacker attitude fits perfectly with white people who want to embrace black people who occasionally act like white people. Word to Blur and TV on the Radio.

Let's examine that for a second. Why exactly do white people -- myself included -- love Gilbert Arenas like Hispanics love Morrissey? Is it because he's quirky, the NBA equivalent of Cosmo Kramer? Michael Richards's racist tirade notwithstanding, that's an apt comparison. Stephen Jackson is certainly quirky; so is Ron Artest; yet we label them thugs, because they're too aggresive for our inherently unique passiveness and sensitivity.

Arenas, however, is non-threatening, funny in a Kramer sort of way -- and that's how we prefer (our) black athletes. That's how we preferred Jayson Williams before he bodied his limousine driver with a shotgun, and how we preferred OJ in the Naked Gun movies before he bodied Ronald Goldman and his ex-wife.

So, Gilbert, here is my message to you: as quickly as we build you up we will tear you down. Play nice, and everything is copacetic. The second you transgress the law of the land, however, the collective hammer of (our) law will strike you down.

So play nice. We're on your side.

For now.




* and hip-hop's

** who, rumor has it, called Contra 4 the videogame equivalent of a snipe hunt

Tuesday, December 11, 2007

Amongst Friends



Here's the thing, WayForward Technologies: it's not that I dislike you, or that I think you're incompetent. In fact, I'm confident that you are quite capable of producing a quality piece of programming. Consider the case of Contra 4, for example, and I'm sure that you'd agree with my initial statement. The graphics were spectacular, given that what you were trying to achieve (namely, something reminiscent of the 16-bit era) was done so remarkably well, as was the audio. Every pulsating beat is nicely accentuated by explosions galore, and I can appreciate the genuine effort put forth by your enterprising development team. The problem is that you took your job too seriously, and due to such zeal, you felt the need to make the aforementioned game so outrageously difficult that it effectively alienates a large chunk of your desired audience. No, I'm not referring the hardcore, twelve to sixteen year old boy crowd; as that demographic is always content to lap at the fountain of absurdity without a shred of remorse. Good for them.

A different, less enthusiastic portion of the audience is where I call home. It's a dank pit, populated by people once known as avid gamers, now resigned to the harrowing reality of having -partially- grown up. Whatever growing up may or may not entail, I firmly believe that one such factor must surely consist of not being willing to partake in fucking asinine bouts of digitally enhanced masochism, you know? Yeah, we can deal with the Nintendo DS, and its fancy stylus, because we're progressive thinkers like that, and due to the fact that it's a quaint novelty that occasionally tickles our fancy (the touch screen is so cute, after all). Additionally, the dual screen feature of the NDS is, invariably, an interesting addition to the video game experience, insomuch that it can come in handy, especially for checking out maps, statistics, and whatnot.

Mario Party DS, Castlevania: Dawn of Sorrow, and Mario Kart DS are three good examples of utilizing two screens optimally, but with regard to Contra 4, not so much, and by that I'm saying that it pisses me the fuck off. Instead of filling one screen to its edges with random, generic bad dudes that emit an endless barrage of flashing bullets, grenades, lasers, ejaculatory substances, etc. at the player, you, Mr. WayForward, chose to fill both screens with such nonsense.

Some folks would contend that I'm just feeling bitchy today, and while they'd be correct (mostly), to those critics I ask the simple question of 'Have you actually played the game, without employing a modified version of the fabled Konami code* to ensure your success?' Probably not. Honestly, I have to wonder what the hell they were thinking about when playtesting the game with regular people. When children began to cry, some dude said it wasn't hard enough. When grown men began to cry, it wasn't hard enough. When the Japanese government determined that the game was a better way to annoy foreigners than incessant fingerprinting at immigration checkpoints, it still wasn't hard enough. When an aborted fetus (six days removed) began to weep at the mere sight of the title screen, the developers felt like they were on to something grand. Let's get straight to the politically incorrect, not-so-friendly truth: the game's difficulty is, at many points, fucking retarded, and you can quote me on that.

Granting that, I'll still finish the goddamn game, even if I have to forgo my illustrious E-2 status to do so. I completed Contra, Super C, Contra III, and Contra: Hard Corps (and fought my way to all six endings of that last one) during my formidable years, so I'll be damned if this is the straw that breaks the dysfunctional camel's back.

Red Falcon

-----------------------------------------

* The one that grants you, the broken man, thirty lives to waste in battle.

Monday, December 10, 2007

SportsCentury and Beyond: The Tiberious aka Sparkles Story (Excerpts Pt. 1)


August 5, 1977: Two people whom I will later meet and call, respectively, Mom and Dad, get down with the get down. A Cat Stevens record is playing AND I CAN'T HELP THAT.

May 25, 1977: Star Wars premieres. I think Trudeau is still Prime Minister, but I can't tell for sure. God, I can't wait to get outta this place. Is Jimmy Carter still president? History is passing me by and I haven't even been born yet.

May 9, 1978: Nancy Lang's future husband is born. In a manger (aka Ottawa; no...make that Bundang).

June 11, 1982: I see E.T. with my parents and brother. We sit in the front row. I cry. Two weeks later, John Carpenter's The Thing sees its theatrical debut. I, however, see it fifteen years later. And the more I think about it, the more I wonder why allegations of parental abuse don't encompass shit like that. Don't worry; someday they will.

June 12, 1982: Battle of the Planets! Dig it.

December 25, 1987: My best friend, Hans, calls to inform me that he received the NES game Goonies II as a present. I react thricely:

Firstly) Santa Claus hates my ass, more likely my inaccessible chimney.

Secondly) My parents found out I'm getting boners watching Madonna and ZZ Top videos, and news travels fast.

Finally) Someone made a Goonies sequel, and I'm the sole 9-year-old unaware of the fact.

January 11, 1999: A gay hairdresser confidently tells me that the cut I've received will get me laid. I don't put much stock in his forecast, but, damn my eyes if he isn't on the money not four hours later. In retrospect, however, I would have preferred a female, and it took a long ass time to get rid of those frosted tips.

Sunday, December 09, 2007

Parakeet Water Bottle


Last night was crazy. Have you ever bruised the tip of your dick? It's a glory wound, trust me. After the eighth tequilla shot it's amazing that I found the strength to ejaculate four more times, but, all bragging aside, I'm THAT GOOD, and after the first three you start to fall into a rhythm, like Reggie Miller draining treys. It comes naturally. Excuse the pun.

But my stamina did not stop there. Oh, no. I woke up at eight o' clock this morning -- with wood, I might add -- determined to keep the faith. What can I say, you're sexy like that. Lithe like an Amazon and feisty like a tiger.

I realize that it's a Sunday, so pardon me if I'm out of line in mentioning that I received the best blowjob in the history of fellatio. Because your vagina was sore from friction. Like

Stephon Marbury: I'm gonna shoot the lights out.

Isiah Thomas: Pass it to Jamal.

Nate Robinson: I've never tried whale meat.


that.

Which I respect. Right now my cock is blue, on the injured list. But if you were here right now I'd lick your pussy like a parakeet in a cage drinking water.

_____________

And while I realize that I should have my cute mug pasted on the front cover of every single women's periodical for infinity, for posterity, I cannot lie nor feel a gnawing sense of guilt for whispering "I want to break your ovaries" in your ear shortly before I came the fifth time. That was wrong.

Love hurts.

Saturday, December 08, 2007

Five Years

I turned 28 the other day. No, no, please. Save your sympathy. There are those more deserving.

But for some reason, when I turned 28 it started me thinking about when I was 23. Five years ago. When I first went to Korea. Two of my favorite movies then were Pirates of the Caribbean: Curse of the Black Pearl and Master and Commander: Far Side of the World.

I guess I was on a seafaring kick.

But I did. I loved those movies. Then I saw Piates of the Caribbean 2. I don't remember what the subtitle was. So, of course, having seen that, I didn't bother to see Pirates of the Caribbean 3 in the theaters.

But it just came out on DVD. So I put it on the ol' Netflix queue.

And it stunk. Hard. Don't get me wrong. From here on out I will officially pretend that Pirates of the Caribbean was a one off, and that there were no sequels. You have been forewarned.

But at one point, after he's risen from the dead in Pirates of the Caribbean 3, Captain Jack Sparrow is heard to announce, after someone tries to tell him, "The world is smaller now, Jack":

"No. The world's still the same. There's just less in it."

And it occurred to me that that's the biggest difference between being 23 and turning 28. That's the difference of five years, summed up right there.

In a fucking Disney movie.

The world's still the same. There's just less in it.

Friday, December 07, 2007

Never Forget the Blue Samurai



Psychedelic Kimchi is as rockin' as it ever has been. Despite appearances to the contrary, each and every contributor is preparing a massive, mind-blowing post to satiate our readers' interest. We've been busy, some of us preoccupied by our jobs, others by our passions. Nonetheless, we strive to keep you reading, and some of us, namely the site's progenitor, even keeps a diary. He's been bogged down by administrative nonsense, so he asked me to publish a chronicle of a past experience of his. To be honest, it's a tad lengthy, but then again, it's not like anyone else will post anything, so who cares.

--

Today was the day that I completed the construction of my best letter to date. I’m not that adept at correspondence, so I feel ecstatic. Currently, I have accumulated approximately three hundred magazines, each of which has been mutilated beyond repair. The destruction of my collection - Vogue, Playboy, GQ, Home and Gardening, Good Housekeeping, Esquire, Stuff, Gamepro, and Maxim, mainly - was almost heartbreaking, because of the effort involved in the decimation. You know that I had to purchase each and every single issue of those magazines, which was a necessary burden, but on top of that, to think that my hands would be capable of such laborious dissection! Yeah, my heart can look back with pride, but my hands are another matter entirely!

But why hadn’t I been diligent in the pursuit? I hadn’t been lazy; perish the thought. The deal is, I have a life to lead, and let’s not discount the importance of appearances. Okay, so my job isn’t very crucial, in the sense that I could always find another lamentable position at some other pathetic institution; that’s a no-brainer. It’s the art, dude, the art that must be maintained. I’ve tried, so hard, to keep my spirits up, especially with my parents gently looking over my shoulder sixty-seven times a week. I want to be a prolific artist, I truly do, but that nagging mother of mine is really killing me, and due to that I drink often. By extension, the drinking causes me to lose focus, and I can’t paint, draw, or sculpt while my brain wanders away from me. You’d think that distraction of the mind would elicit extraordinary material, but that kind of talent eludes me. No joke. Up until today, there was that troublesome missive that hounded me, too. The situation is a snowball effect in motion, but at least the letter is finished. It was the first, and I think that things will be easier from now on.

I should also mention that I did some grilling this afternoon. As it’s nearing the fourth of July, my parents have been getting into the spirit of festive foods, and I can’t disagree with the sentiment. They like to refer to it as Bratwurst Madness, and the season dictates the insanity, because hot weather draws out the best of provisions. My mother was quite surprised that I had expressed an interest in helping out, and to that shock I simply shrugged and said that I was bored; she was appeased by my actions, and asked me to be careful with the amount of charcoal to use. It sounds like a stupid thing, and it was, but I’m not one to argue with her, given the circumstances. The brats? They were Johnsonville, and they’re difficult to screw up, basically. I used a bit too much starter fluid, but you must understand that there were things to burn, far beyond the meat itself! Along with the charcoal, I had thrown in a pair of dainty gloves, cotton perhaps, that had to be annihilated. They were flimsy, lavender things that had outlived their use, and potentially detrimental to my livelihood, and I’d be damned if I were to allow them to remain intact. The gloves had been used to deliver the letters, you see. (The bratwursts were delicious, by the way; burned just enough to acquire the charcoal flavor, and yet retaining the crucial amount of juice. My father knows what he is talking about, so again, I’m not one to contest parental opinion.)

Gloves are but one example of the myriad of items I have acquired in the past months, and as you may ascertain, these things cost money; and money is something that is carefully accounted for in my family. Such matters should be my business alone, but when you live with your parents, things have a tendency to spin away from you. My current job is not exactly lucrative, and thus my cash flow is limited. Mom constantly asks me about my financial situation, and I relentlessly reply that yes, I am saving my earnings, at least as much as I can. Inevitably, however, she lacks the capacity to refrain from opening my mail, my bank statement in particular. The numbers don’t lie, and the woman understands that words often do. Upon query, my line of defense is that I simply must spend money on art supplies; I cannot deny the lure of passion. This satisfies her, partially, and that satisfies me conclusively, because she figures that some of the money dissolves within the mire of alcoholism, as that is what often occurs. Given that my mother ingests a case of beer daily, she is not one to judge neither the situation harshly, nor me. Her estimation is not entirely accurate, but I tell a half-truth, so she cannot held to blame: I do spend money on supplies, and yet she doesn’t envision the breadth of my cravings. Gloves, for example. Magazines, too. Envelopes, postage stamps, paper, and so much more. All are required, but once they have served their purpose, what are they but garbage?

I shouldn’t even begin to discuss the issue of trash, but it’s of unquestionable importance, to be candid. As you know, I like to burn some of my less cumbersome materials, but others require different methods. My younger brother is in high school, but bless his heart, he does provide me with occasional insight, even if it often comes at the cost of considerable inconvenience. A while back, six months give or take a few weeks, Joey was trying to produce counterfeit money. A grand plan, to be sure, although there were, as expected, a few snags in the plan. Joey isn’t one to think in the long term, and by extension, if an idea appears viable when surfing the internet, he’s one to jump upon it rabidly, like a dog in heat. (Or at least, he was inclined to do so, prior to his arrest.) He used my printer to produce the money, that dick, and as you may surmise, my computer as well, all without my prior knowledge.

Yeah, he was caught, at the 7-Eleven no less! Not immediately, per se, but nonetheless, it did occur. He was trying to buy a pack of KOOL cigarettes with a counterfeit twenty dollar bill, and the pudgy bastard behind the counter had requested to see his driver’s license prior to the purchase. The identification checked out (he was eighteen, after all) but the shabby quality of the denomination alarmed the cashier. Joey panicked, and vacated the premises, minus the fraudulent twenty dollar bill, and his driver’s license. He’s a gem, isn’t he? My brother, while foolish in many regards, does have a bit of wit about him, however, and shortly after the incident, saw fit to remove my printer, as well as all unused currency, and ditch it somewhere, in a place where any authorities would not locate them. They can track printers, as I am sure you have been told. He packed the stuff up into my mother’s Dodge Intrepid and hauled it down a few blocks to the Spring Park apartment complex, where he proceeded to dispose of the incriminating evidence by placing it into one of the many A-1 dumpsters available to tenants (and to a few people that aren’t).

To summarize the ensuing scenario: Yes, they tracked him down, and yes, they confiscated my computer for a brief period of time, and yes, they questioned my entire family, and yes, Joey is now suffering because of his foolish endeavors, but they never located the printer, or the remaining junk currency. That hadn’t assisted my brother, given the situation, but it had fostered an epiphany of sorts, for me.

My family lives a few blocks away from the apartments, and while I’m uncertain as to the exact number of people that dwell within them, I do know that there are twelve dumpsters strategically placed throughout the location, and furthermore, the receptacles are routinely filled by tenants, and subsequently emptied by sanitation personnel. The inhabitants of Spring Park are prone to dispose of all manner of garbage, and believe me, I’ve seen far too much in the way of unique junk. Most recently, as I was bringing in a bundle of magazines, I noticed a Schwinn ten-speed bicycle, or should I say, the two halves of a ten-speed bike. Yes, you heard correctly, a perfectly functional Schwinn bicycle deliberately, and neatly, sliced down the center, along the horizontal bar. Beyond that deficiency, there hadn’t appeared to be anything wrong with it. Can you believe that? It’s as if some malicious individual carved the bike in two, just for the sake of tormenting the original owner. Perhaps it was a punishment of sorts for a child’s misbehavior, but nonetheless, it did seem to be a bit extreme.

During that same visit, in the very same dumpster as the bicycle, I spied -believe it or not!- a battered copy of the original Advanced Dungeons and Dragons Monster Manual, the one written by Gary Gygax, from way back when. The one with the cover that had the red dragon flying around, and the troll holding a bone of some kind. I remember that edition so well because as a kid, I was fascinated by the artwork, especially the succubus, who was nude and posed in quite the suggestive manner, and at the time the drawing elicited an awkward, indecipherable emotion that swirled throughout my chest. Not quite lust, but not quite a crush, it was just something that wanted to be touched, and to reciprocate, I suppose.

I can scarcely imagine why someone would choose to discard such a treasure, but regardless I was determined to confiscate the book. Doing things like that is risky, and I should be scolding myself, but I couldn’t resist the temptation. My genuine intention is be discreet in my endeavors, as the last thing I need is to be discovered. The materials, like my letters, are best kept secret. I prefer to remain inconspicuous whenever possible, but that’s problematic from the start. It’s better to operate during daylight hours, because a twenty-six year old guy dumping stuff at night just begs questions, and street lamps accentuate what people do, and eyes are moths.

On the other hand, during the day, I often have access to no vehicle but my own, and that’s another headache. My father’s truck - a rusted, sooty Chevy S-10 -arouses little, if any, suspicion: A vehicle like that is par for the course. Similarly, my mother’s Intrepid purrs ‘family-friendly’ and no aspiring, white trash detective would bat an eyelash at the sight of it pulling beside a dumpster. But I am the proud owner and operator of a baby blue Suzuki Samurai, replete with a spotless ivory topper. Keep the locale in mind: Cedar Rapids, with its mammoth population of a hundred and fifty thousand enterprising individuals, is not particularly desensitized toward snappy, flamboyant imports. Cruise into Spring Park with a ride like that, and someone is bound to say ‘What’s up with that?’ eventually.

That’s a risk I am willing to take, if need be, although in such instances, brevity is the key. As luck would have it, I had been using the Samurai when I noticed the Monster Manual. Broad daylight, a load of dissected periodicals, and the festive Samurai: I fully comprehend the potential for catastrophe, believe me! I had even left the engine running, ready to vacate premises in an expedient -and yet stylish- fashion, but I couldn’t deny that abrasive urge. To dumpster dive, or not to dumpster dive? That’s a dumb question.

My right forearm suffered a noteworthy scrape during the incursion, but collateral damage hadn’t concerned me, at the time (you know what they say about hindsight.) It bled, but merely a trickle, and I just smeared the blood across my jeans, which were stained anyway.

The Monster Manual is a hardcover game supplement, so despite a few gratuitous lacerations - the centaur’s head had been torn away completely, but given that the centaur looked like a total douche bag with his face attached, I’d gladly suffer through the tragedy - the book was intact. I hastily flipped through the pages, past angry, nitwit bugbears and svelte elves, to the bestiary of demonic entities. I paused to admire the imposing visage of dread, sigmoid Demogorgon. Almost simian in appearance, the demon lord was a maniacal beast, and where arms should have been, were two flapping, hideous tentacles that seemed to leap from the page and into your eye sockets. I’ll freely admit that as a youngster, I was rather intimidated by Demogorgon’s inhuman intensity. I’m still paranoid about baboons, too.

Years later, a friend employed a thesaurus to describe the abomination as vermicious. Maybe it was Kennan, or perhaps Philip Bowman, that portrayed him like that; as they were the only two guys that owned the compendium, either of them could have enriched my vocabulary. My memory sucks in that regard, probably due to smoking too much crap with Bowman. Philip would attribute vermicious to Demogorgon, while Kennan would have labeled the succubus in such a way. I pressed on, beyond something terrible, and into something beautiful.

What can I say about the succubus? As mentioned previously, there is something magical, and subversive about the depiction. The thing is, back in the day, censorship and political correctness weren’t on the collective mind of TSR, so partial nudity was the norm. Granting that, the succubus was no exception. She was portrayed as a nude, lithe female with diminutive horns and scant, leathery wings. There was nothing excessive about the fleshy exposure, and that’s what made it so intriguing to me as a lad, and why I am capivated still. Lounging upon the ground, propped upward by her arms, she gazes at a reader with devilish innocence, while her breasts mangle the designation of demonic. Scratch that; I thought that way during high school, but prior to that (and currently, as well), I was enchanted by her facial expression. If you read the description of the succubus, you would probably think that she was a monster, but I’m convinced that such words belie the image. For all that grandiose talk, there I was sitting in the belly of a dumpster, staring at the succubus while my crotch began to bulge uncontrollably. She reminded me of why I write the letters, of why I keep assembling hamburgers at Wendy’s, and of why Kennan was correct in his assessment; but he must have been referring to her effect upon a viewer.

The picture was not perfect, although the fault lie not with my memory, nor the ability of the artist, but rather the previous owner of the book. As I gazed upon the lovely creature, I couldn’t help but notice a few rough spots which peppered the page. They were coarse and warped to the touch, and the color of a banana that had begun to rot. I need not elaborate, but needless to say, someone else had thoroughly enjoyed this particular page. I will, however, admit to something atrocious, in that my erection was spurred on, unconsciously perhaps, by the pallid stains. I’m not the only one to have been infatuated by the sleek, demure seductress devilish delight!

Don’t worry, I didn’t get carried away, and I didn’t lose sight of my purpose; it was just a distraction, man, a distraction. The scrape had ceased bleeding, and the hum of the Samurai’s engine kept my mind afloat. I slapped the book shut and climbed out of the dumpster, with as much suavity as could be expected of me. Granted, the act of crawling out from a dumpster is ridiculous, and I’m sure that I did look quite the twit, but not half as stupid as I felt when I popped out of the bin and there was a kid peering at me. For a second I just stared back, slack-jawed, at this dopey boy with a shaggy, mahogany mullet. My guess is that he was ten years old, but it’s difficult for me to guess that sort of thing, really. He was wearing this comical, Fanta-orange T-shirt and shorts combo; on the front of the shirt was a Tyrannosaurus Rex, and etched along the sides of his shorts was the word Dinosaur! in enormous, yellow letters. I suppose I shouldn’t dwell upon his appearance, as I must have come across as utterly clownish by comparison.

The situation demanded that I say something, but all I could muster was ‘Haven’t you ever seen a guy crawling of a dumpster?’ and no, I wasn’t being a dick about it. It was spoken in a kindly, congenial manner. The boy responded in similar fashion.
‘Yeah, I have. What are you doing in there?’ He was unintentionally applying pressure to my precarious situation, so I gave him a casually dishonest answer.
‘Well,’ I began, and shrugged my shoulders, ‘I was getting rid of some junk, but I decided that I still wanted this old book.’ I held up the compendium, because I figured that the nature of the book would help endear him to me, or at least not go running to his mother. That would have seriously jeopardized my integrity. He seemed to be appeased, inasmuch that his face didn’t contort from distrust.
‘Did you see a bike in there?’ he quizzed me, and I for a moment I was speechless, as I struggled to refrain from saying something like No shit, kid. Like I couldn’t see the bike. I scraped my arm on the damn thing.
‘The bike cut in two pieces?’ To this the boy nodded, and then asked if I could retrieve it for him. ‘Dude,’ I replied, trying to be conciliatory, ‘it’s sliced in half, including the chain.’

The kid’s eyes were bright blue, and they seemed to ignore the obvious. ‘Yeah, but my dad’s at work now, and I want to put it back together while he’s gone.’ I couldn’t argue with logic, and more importantly, I wanted the boy to forget about what I was doing, so I said okay and submerged once more and fished out his beloved bicycle, in all its dismembered glory. The boy almost forgot about me once he began to study his bicycle, which was fine, but I was foolish to assume that I would escape unscathed. As I was entering the Samurai, the kid tugged on my shirt.

‘Do you have any duct tape? I need to put this bike back together?’
‘Why are you asking me, dude?’ I quipped back, eager to depart. ‘Doesn’t anyone (ahem) else in Spring Park have tape?’ To this the boy’s eyes narrowed, and for the first time he seemed concerned.
‘I live in Park Towne. That’s the real name, no matter what happens. Spring Park is just because the police come around.’ I knew exactly what he referred to; to that incident which had occurred about a month ago, and sent the owners scrambling to reinvent their image. That disturbance with the teenaged black woman.
‘I like the new name. It’s cute. Anyway, let me see what I have, okay?’ The tenacious little rascal waited by the door. I rummaged throughout my car. I didn’t have duct tape, mainly because duct tape sucks a donkey’s dick. I tossed a Plen-T-Pack of Wrigley’s Doublemint gum at the kid. ‘Try that, it could work.’
As I drove away, I looked in the rearview mirror, and saw the kid chewing some gum. Look, it’s the best that I could do, okay?

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Egad Fortuna